Valve has laid off a number of designers from its Artifact team, including Skaff Elias and lead designer Richard Garfield. Both were considered contractors under their consulting firm Three Donkeys. In an email exchange with Artifact fan site Artibuff, Garfield said the decision made sense.

“We weren’t surprised by the layoff considering how rocky the launch was, the team was enthusiastic about the game and were confident that they had a good product but it became clear it wasn’t going to be easy to get the game to where we wanted it,” he said. “The layoff makes sense for a number of reasons.”

Garfield said that now that the game has released, a smaller team may be able to respond to feedback more nimbly, and the expertise from his own consulting firm is less valuable after having already been on the project for so long. But, he also said both he and Skaff have offered to continue giving feedback as the game goes forward.

“We enjoyed working with Valve and I was impressed with their relentless focus on the quality of the game and experience being offered to the player,” he said.

These layoffs do not necessarily mean that Valve’s outlook for Artifact has changed in any significant way. Garfield’s contracting company was brought on for its expertise in making collectible card games, as he’s also the creator of the extremely popular Magic: The Gathering card game. Since the game is now released, Valve may have simply felt that he fulfilled his role. Still, Garfield openly mentioning the game’s rocky launch, paired with its relatively low player count, could mean trouble for the game. GameSpot has contacted Valve, but has not received comment as of time of publishing.

Artifact was conceptualized as a CCG set in the Dota 2 universe, so it borrows mechanics from that genre including distinct lanes of battle. Our review praised its unique take on card game mechanics, while warning that its pricing structure might turn off some players.

“Artifact is a capable reimagining of modern trading card games,” critic Daniel Starkey wrote. “It plays quite a bit differently than just about any of its contemporaries–digital or not–and while the marketplace is volatile to say the least, there’s little evidence that the pricing is straight-up predatory. Just note, however, that the game is not free-to-play and be prepared to spend some additional bit of money coming in. It would be nice to see some more extensive options for those wanting to play by themselves or in non-competitive settings, but beyond that, Artifact is a great showing.”

from GameSpot – Game News https://www.gamespot.com/articles/valves-artifact-designers-laid-off-including-magic/1100-6465494/

Bandai Namco has released a new trailer for the Tale of a Timeless Tome DLC for Ni no Kuni II: Revenant Kingdom. The DLC is scheduled to release on March 19, and the new trailer details what the expansion will add to the game. The trailer can be watched below.

Tale of a Timeless Tome adds a new character to Ni no Kuni II: a mysterious rabbit who’s wearing a suit. According to the trailer, protagonist Evan and his allies encounter this new character in “a curious place where people’s memories mix and mingle.” The trailer gives off a fantastical Alice in Wonderland vibe, before taking a darker turn and introducing The Nightmares, which are the enemies threatening to destroy this charming world.

To fight this threat, Evan gains access to several new magical abilities that he learns through The Wizard’s Companion. The trailer also showcases him relying on Pikman-like creatures in combat, a new method of fighting called spritecraft that Evan learns through Martha’s Methods. The Nightmares aren’t the only new threat Evan encounters either, as the trailer also showcases an arena called Solosseum Slog where the young king and his allies must battle through waves of challenging enemies.

Ni no Kuni II: Revenant Kingdom is available for PS4 and PC, and Tale of a Timeless Tome is coming to both systems. Tale of a Timeless Tome is the second and final piece of content included in the Season Pass for Ni no Kuni II. The first piece of content, titled The Lair of the Lost Lord, came out in December 2018. Like Tale of a Timeless Tome, The Lair of the Lost Lord introduced a brand-new world into Ni no Kuni II, and also continued the game’s story, added more items, and implemented additional combat mechanics.

In our Ni no Kuni II: Revenant Kingdom review, Peter Brown gave the game an 8/10, writing, “Ni No Kuni 2 is a robust game that offers ample ways to spend your time, and even if they aren’t all up to the same level of quality, it’s easy to appreciate how they collectively contribute to the bigger picture. It’s chock full of excellent battles and surprising moments that make for a far more memorable experience than you initially expect and leaves you impressed by your own accomplishments. If you didn’t play the first game, don’t let this one pass you by too.”

from GameSpot – Game News https://www.gamespot.com/articles/new-ni-no-kuni-2-dlc-trailer-introduces-nightmaris/1100-6465503/

A former Activision creative higher-up pitched the company on a new IP, but the Call of Duty publisher didn’t go for it. Glen Schofield, the Dead Space co-creator who later established Call of Duty: WWII studio Sledgehammer Games, spoke about this in a new interview for what appears to be the first time.

“Did a little prototype for them–they didn’t go for it, but they should have,” Schofield told Game Informer.

Schofield pitched this new game–which he didn’t share any more details on–after he left Sledgehammer to take a position at Activision HQ. Sledgehammer’s other founder, Michael Condrey, moved to Activision corporate as well. Schofield teased that Condrey was working on “something” for Activision, while he was spending his own time working on “new game ideas.”

Schofield didn’t say why Activision vetoed his new game idea, and we’ve reached out to the company for comment but haven’t heard back. Whatever the case, Schofield talked about how making new IP is a challenging task. Activision Publishing, which is a part of Activision Blizzard, publishes franchises like Call of Duty, Spyro, and Crash. One of its highest profile new IPs was Bungie’s Destiny, which it published until the companies broke up but never owned outright as Bungie always held the IP rights.

With new IP, companies basically start from the bottom, with the the likelihood of strong return-on-investment potential seemingly not as high as it would be for an established series.

“It’s hard to get a great new IP going, and you’ve got to put time and money and effort into these things,” Schofield said. “We put time and effort into it, and some money, and it just didn’t work out.”

Schofield announced in December 2018 that he was leaving Activision. He left the company with no new job lined up, and that’s something he never thought he’d do. But with Activision not greenlighting his new IP, he said it was the right time to try something new.

“Not seeing the project greenlit–it was time [to leave Activision],” Schofield said. “There’s nothing bitter; everything about my years there were really good. I really enjoyed them. I never thought that [I’d] leave a place without a gig, right? I never thought about that. But nowadays I see why.”

Schofield is now taking meetings for new jobs, and he said he plans to do more networking at the Game Developers Conference later this month in San Francisco. As for Condrey, he landed a high-profile job heading up a new 2K development studio in Silicon Valley.

It’s been tough times at Activision Blizzard of late, as the company recently cut around 8 percent of its workforce in a downsizing that reportedly affected around 800 people.

from GameSpot – Game News https://www.gamespot.com/articles/call-of-duty-ww2-boss-says-he-pitched-activision-a/1100-6465500/

Control, an upcoming game by developer Remedy, is scheduled to come out this year, more specifically this summer. The tease was included in an interview for the cover story in the most recent issue of Game Informer magazine, with the rest of the article detailing the abilities that Control’s protagonist has at her disposal.

In Control, you play as Jesse Faden, a woman with supernatural abilities. At the game’s start, Jesse breaks into the Federal Bureau of Control–a fictional government agency that researches ways to explain and exploit paranormal phenomenon–in order to discover the truth about the origin of her powers. Her infiltration, however, runs into a snag, and she’s suddenly thrust into a fight to protect the Bureau as its new director.

Gameplay wise, it looks as if you’ll have plenty of tools at your disposal in Control. Jesse’s powerful supernatural abilities allow her to wield telekinesis to rip apart the environment, or lift herself up and fly through the air. She can also seize the minds of others, bending them to her will and forcing them to fight alongside her. Defensively, Jesse can use her powers to create a forcefield in front of her or instantly propel herself in any direction to dodge out of the way. When powers aren’t enough, Jesse also has access to a powerful firearm that can be upgraded in a variety of ways, giving it new forms that allow it to fire different types of bullets.

Control is one of our most anticipated games of 2019, seemingly blending together the best aspects of Remedy’s previous titles, Alan Wake and Quantum Break. Game director Mikael Kasurinen compared the atmosphere of Control to the 2018 movie Annihilation, while Remedy creative director Sam Lake loves that Control gives him the freedom to be weird again.

Control is currently scheduled for Xbox One, PS4, and PC.

from GameSpot – Game News https://www.gamespot.com/articles/remedys-upcoming-supernatural-thriller-control-is-/1100-6465498/